CHOI XOO ANG
Recursive Network
2011
Graphite and tea on paper
18 x 28 cm (7x11 inches)
Currently traveling with the exhibit “Emergence and Structure
(via cubiclerefugee)
“Ce qui m’intéresse, c’est ce qui est entre”. La tresse comme détresse.”
François Rouan. La mort aux trousses
Brel et la fête.
“To disobey in order to take action is the byword of all creative spirits. The history of human progress amounts to a series of Promethean acts. But autonomy is also attained in the daily workings of individual lives by means of many small Promethean disobediences, at once clever, well thought out, and patiently pursued, so subtle at times as to avoid punishment entirely. All that remains in such a case is an equivocal, diluted form of guilt. I would say that there is good reason to study the dynamics of disobedience, the spark behind all knowledge.”
—Gaston Bachelard, Fragments of a Poetics of Fire
Photo: Paris, May 1968 at The New York Times
Catherine Willis
POUR PARFUMER LES NUAGES, 2008
rattan, tonka beans, black cotton ligatures, 0.80m x 1.40m x 1.07m
(via catherinewillis)
Lessons on sacred geometry with the use of it throughout ancient and modern architecture
(via geometric-aesthetic)
Sea-Folk Museum, Toba, Japan
by Naito Architect & Associates
www.japlusu.com/news/remarkable-japanese-timber-structures
(via thehungryarchitect)
